The Love Language, In Residency at Slim's (Night 1, 5/3/11)

This was the first night of the Love Language's 4-night "residency" at the small downtown Raleigh club, Slim's. The place MAYBE holds 100; your name was on the list when they checked off your ticket. All-in-all a pretty intimate venue for a band getting used to Coachella and opening gigs for Arcade Fire.

And it just demonstrates the energy of club shows. These guys are always great, but I saw them open for Phoenix at the Koka Booth Ampitheater, and here at little ole Slim's... and there was no doubt which of those shows packed the most punch (hint: THIS one...)
They played the self-titled debut CD in it's entirety, then came back for a T. Rex a cover with members of the opener, Left Outlet, and closed with Blue Angel, Heart To Tell, and This Room from their sophomore CD, Libraries (I think Brittany's Back was in there, too).

Just a picture dump here; no time to write more. The first pic has Missy playing with Left Outlet at the end of their set, where the keyboards got mighty funky! It was a GREAT show, and I'm looking forward to Night 4 Friday! (see bottom for a video, too)













And here's a video of Nocturne, a sweet, sublime song from the debut CD, in which the LL, in typical fashion, really rawked out with live.

The Elephant 6 Holiday Surprise Tour - 3/26/11

The Elephant 6 Holiday Surprise Tour passed through Raleigh Saturday night, playing Kings Barcade downtown. For the uninitiated, the Elephant 6 Collective is a group of musicians and artists loosely based in Athens, GA. It was started by members of the bands Neutral Milk Hotel, Apples In Stereo, and others, back in the mid-late 90s, when those bands were starting to make waves. It wasn't so much a label as a place for members to play together and support each others' art. Many Elephant 6 bands share or have shared members throughout the years. Some of the other bands falling under the umbrella of Elephant 6 include Of Montreal, Elf Power, Olivia Tremor Control, Circulatory System, The Gerbils, The Music Tapes, and The Sunshine Fix.

I remember back in the mid-90s, we at KLSU (Baton Rouge) were obsessed with Pixies, Superchunk, Sebadoh, GbV... the usual indie thing. But down in NOLA, WTUL was taking a more pop tack. They were playing these odd little happy/quirky records by acts like Of Montreal and Apples in Stereo. These bands were so far ahead of their time, college radio was even a little slow to pick up. But they just kept releasing and producing album after album of great psych/pop/weirdness. Today, I'd venture to say that more bands are influenced by Elephant 6 than by Nirvana and Green Day combined (okay, recording, touring bands, not 13-year-old kids in their garages).

I always felt like I missed the boat somewhat on Elephant 6, and Neutral Milk Hotel in particular. There they were starting in Louisiana as I was hosting a college radio local/regional music show on just a few dozen miles south. I remember hearing about this obscure little album from a Ruston band called "On Avery Island", but by that time, I was no longer on the air. For those unfamiliar with NMH, their CD "In The Aeroplane Over the Sea" is widely considered one of the best albums in the past 20 years (or best ever by many, myself included). I asked NMH-members Scott Spillane and Julian Kostner after the show why I may have missed them (only Scott was with them at the time), and they said basically that they only played house parties and in North Louisiana for the first couple of years. After 2-3 years, they realized they could/should start touring. Jeff Mangum (NMH's front man) may have played a couple of shows in NOLA, but I never caught wind of them, much to my chagrin.

But there's always time to catch up, and this tour was a great opportunity for that. The reunion/supergroup/whatever tour that is Holiday Surprise was more like a family event than a show. These people know each other well, having played together on many an album and in many a band. They're all multi-instrumentalists, and they're also very much into having fun. They started in the audience, as the performers (scattered among the crowd) sang/chanted "You're going on a trip / your mind is not quite fit / your brain circuitry's abnormalities have brought you this...", making their way to the stage in the dark, and kicking into the first number. They bounced around from song to song by various E6 bands, leaning a lot towards Olivia Tremor Control... several members of that band were represented. "White Sky" (from the Gerbils), with Scott Spillane singing, was a standout. So was the poppy "Holiday" (OTC). Julian Kostner demonstrated his mastery of the musical saw, for which he is apparently quite well known. It provided an element of mystery and magic, just as it has on several Elephant 6 releases.

Julian Kostner (NMH, OTC, Music Tapes) on musical sawWonderful stories were told, winter's end foretold (via a giant snowman throwing a snowball through the moon, with the help of an audience member), and the crowd was serenaded by a Mechanical Organ Playing Tower. Violins and various brass instruments were everywhere, the latter played especially sublimely by Scott Spillane.

Scott Spillane (NMH, Gerbils)But mostly, Elephant 6 just rocked out... in the high-energy, neo-psychedelic, mode that is their penchant. The closing (Sun Ra's "Enlightenment") was another "kumbayah" moment. The band stepped back out into the audience and encouraged us to sing along, repeating the words to teach us. It must have gone on for 20 minutes before the members of the collective marched out, parade-style... tubas, trumpets, saws and all. The show clocked in at over 3 hours.

Bill Doss (OTC, The Sunshine Fix)John Fernandes (OTC, Circulatory System)Although most indie-hipsters would never admit to playing the game de riguer of the night (and every night of this tour), they all were at least wondering: Would the notably reclusive Jeff Mangum show up, and maybe even play? No, he didn't make an appearance Saturday, as he did on the tour a couple of years ago. It's probably better for this tour, as his music is darker and of a different tone than most of the material they were playing. And the band didn't play any NMH (or Of Montreal, or Apples In Stereo) songs, either. The night didn't suffer for it, though. This bunch has a very deep catalog of good music to draw from, and it was a rollicking good time! Besides, for those into the Apples, frontman Robert Schneider will be playing a rare show in Durham (at the Casbah) in April.

So, all-in-all, the 2011 Elephant 6 Holiday Surprise Tour lived up to it's billing, and demonstrated that this collective of artists that has inspired so many already still has inspiration to spare.

Horns were blared......guitars pounded......and stories told.It was "Yip Jump Music!" (apologies to Daniel Johnston)

Wye Oak - Local 506, 3/12/11

Baltimore duo Wye Oak played to a sold out crowd at Local 506 the other night. Although they've been described as "indie folk", the word "folk" is probably more an artifact of the minimal cast and instrumentation. One listen belies that minimalism. They create a lush, sonically drenched sound that wanders between shoegaze and soaring pop. Think My Bloody Valentine... a pastoral Sonic Youth. Andy Stack works drums, keyboard and loops like he's been doing it for years (and I guess he has), creating a backing band all on his own. Jenn Wasner's crisp, clarion of a voice can be at once soft and intense, and is the focal point of the band's sound. But I hadn't really taken full notice the first time I saw them, that she can really RAWK the guitar. Unfortunately, after this second show of their tour (their first was broadscast live on NPR... that's where all the buzz bands go these days, didn't ya know?), Jenn's voice gave out. There were a few painful looking coughs between lyrics this night. So they've cancelled the next show or two on the tour. Here's hoping she gets better so the rest of the country can enjoy the great show they gave Chapel Hill.

Here's a few pics of the show.

Congratulations to the Triangle's Merge Record's and Arcade Fire!

How weird it is that little indie label Merge Record's little indie band Arcade Fire is playing the "headline' spot on the Grammys? I guess no more weird than them winning Album of the Year, which they just did!

Singer Win Butler looks simply buoyant at winning. I mean, he's smiling ear-to-ear, looking genuinely happy, as they play "Ready to Start" to close the show. Indie and punk rock have sure come a long way.

Congrats to Arcade Fire. Congrats to Mac MacCaughan, Laura Ballance and our little Merge Records.

Soft Company and Antibubbles at Motorco, Durham, 2/5/11

Two Raleigh bands played up in Durham last night - Soft Company and Antibubbles (Vibrant Green and Cantwell, Gomez and Jordan were also on the bill, but I missed them). It was dubbed the Aquarian Birthday Party, and any Aquarians got in free. It was my first visit to Motorco, and it really is a top quality live venue... good sound, facilities, nice-but-not-massive beer selection, tiered "ampitheater"-type seating around the fringes.

Both Antibubbles and Soft Company make pretty heavy use of keyboards, and mine prior decades for their sound. But while giving props to the past, neither act sounds too retro. Antibubbles updates the '90s Cali pop-punk genre, and is a little more straight-ahead of the two. Soft Company has an 80s feel and delves into more experimental pop - I'm reminded of Santogold listening to them now (though I realy didn't get that from the live show). Either way, both bands put on fun shows, and are worth seeing when you get the chance.

Here's a few photos from the show. First four are Soft Company, then two of Antibubbles, then one of the ghost of Antibubbles playing in the street next to Motorco. ;)

Veelee, @ Buoyancy Benefit for Moving Island (1/29/11)

Last weekend in Raleigh, there was a benefit for a new art/music/creative space called Moving Island. It's opening right next door to another communal/music space, the Ruby Red, as a little artistic oasis begins to build just north of trendy Glenwood South. Moving Island is shooting for non-profit status and taking memberships. Besides the odd music and art show, they're planning on holding classes in several artistic areas, and performing various other artistic outreach efforts. Right now, only one floor is open, but it will eventually open as a multilevel community space. See movingisland.org for more info.

Several bands played on this night (it was a 2-night deal) -- including Lonnie Walker, Gray Young, and Veelee. Here, Veelee performs a new song, "Bruises Easily". It's a Sonic Youth-y number which demonstrates there ability to create a raucous intensity well-beyond what you'd expect from a two-piece.

Holy Ghost Tent Revival - Local 506, 1/21/11

I'm finally starting to appreciate the local music around here a bit more. And by "local", I don't mean the locally grown indie/punk/post-punk/post-wave/whatever-catchphrase bands that are always integral to a local scene (and that I have always supported). But I'm talking about the local indigenous music.

Where I come from, that's jazz, and funk, and brass, and blues, etc. (I'm from New Orleans). There's no problem getting into that. It's the roots of everything. But so far, the "roots" music from these parts, either played in the purist way or melded with new sounds, hasn't caught my ear. At least not a specific act.

That was until I caught Holy Ghost Tent Revival.

Their show at Local 506 last week was a barn-burner. And the loyal (and packed) crowd proved it wasn't the first. This Greensboro combo bring all the elements of a good ole', well, tent revival!, to a rawk show. The tenor of their show reminded of days of yore catching local psychobilly punks Dash Rip Rock at their earliet hows in Baton Rouge... where so many broken bottles were danced and stomped upon that the floor ended up like sand. Smokin' hot roots music, with an ear to the past but blazing a path to the future. Banjo, horns, keyboards, plus the usual, melded punk, bluegrass, 1920s jazz, all into a downright hoe-down. They had the crowd in their hands, and sang along with them, to tunes like the rollicking "Getting Over Your Love" and the anthem of dysfunction "Alcohol"(see video below).

Stephen Murray acted the quintessential frontman, crooning wildly into the mic and switching between banjo, guitar and trumpet. Trombone and main trumpet filled out what bordered on Dixieland at times (especially when all 3 horns kicked in). The keyboardist was apparently an ex-member from long ago, filled in admirably due to the regular guy's illness. The band danced and jumped all over the place, along with the crowd (in what little room there was... I've seldom seen the 506 so packed).

In New Orleans, ever since the long-forgotten NOLA band All That first melded brass band and hip-hop to make "Brass-Hop" -- which Coolbone also promoted -- I have been a fan of such cross-decade (-century!?) hybrid bands. Galactic are perhaps the masters of that now, melding among other things, hip hop, Mardi Gras Indian, and straight jazz music into a funk-a-licious brew. But (apologies to the late Squirrel Nut Zippers) HGTR are the first NC band I've caught that are doing the same thing w/ the "local" music up in these parts.

More pictures, and video, below.