Showing posts with label Jenny Besetzt. Show all posts
Showing posts with label Jenny Besetzt. Show all posts

Wednesday, August 9, 2017

Jenny Besetzt, Wing Dam, Secret Anderson (Kings, Raleigh, 8/5/17)

Jenny Besetzt has consistently been one of the best bands in North Carolina since I first caught them at a Hopscotch day party a few years ago.  Their new album, Tender Madness, should be on everyone's heavy rotation.  Driving bass, spine-tingling guitars, and what's becoming clear to be one of the most badass drummers in the Triangle, come together musically for an angular, retro-futuristic sound.  Bright light, dark energy.  But Jon Wollaber's unfathomably deep baritone is the cherry on the top (or deep down in the abyss).  Speaking of Hopscotch Music Festival, they're about to play with Future Islands on the big stage there, before embarking on a tour across wide swaths of the US and Canada with the Islands.

They played another powerful set at Kings last weekend, with two comparably great openers.  Baltimore's Wing Dam were full of crunchy indie-punk, and brought a grinding fun energy to the stage as usual.  South Carolina's Secret Guest and ET Anderson joined forces as Secret Anderson to celebrate the launch of the new label/platform/collective APT by the bands' respective frontmen Brett Churchill Nash and Wilson W. Wilson... or is it Tyler T. Tyler? :)

Photos and a couple of videos below.

Secret Anderson...

Wing Dam...
Jenny Besetzt...

Secret...!
... Anderson!

Thursday, May 25, 2017

Kosher Fest - Saturday 5/27/17 - Long Live the Hut!

"Punk rock was my first girl / she left me a scar so I have her still" - Beulah, Silver Lining

I was a late bloomer in just about every respect.  Maybe it was just classic middle kid, ultra-geek (before it was cool, man!) syndrome.  Maybe I shared some of the genes that made my future son autistic.  But in life, in love, in pretty much all the social norms, I always lagged behind.  I was pretty much a grammar school kid in high school (you should see my yearbook photos!), a high school kid in college, an undergraduate in grad school.  It's probably why I now live my "adult" life like I'm still in college.

Even in my musical taste, I bloomed late. As a kid, I mostly listened to guilty pleasures like Boston, Styx, and Foreigner (hey, I was from da West bank of NOLA!).   But I'd listen to some weird stuff, too.  I'd spend hours perched over the turntable (before that became UN-cool, then cool again!), headphones on, absorbing Yes's Tales from Topographic Oceans; the definitive bloated prog-rock mind-bender if ever there was one.  Maybe most girls thought I was from another planet because, in my mind, soaking in 25-minute prog-rock movements, I quite literally was.  
But, musical or otherwise, punk rock was my first real "grown-up" passion.  In college I started to get into British stuff like Dave Edmunds and Elvis Costello, and that grew into love of American bands like the dBs, Let's Active, Game Theory, Descendants...  hmm...  seems the more off-the-mainstream-path I get, the better the music gets!  When I first I heard the Pixies "Gigantic" on KLSU (in Baton Rouge), I decided then and there to become a DJ.

Make no mistake, this musical passion is the main reason why I took 7 years to finish a PhD.  Years of deejaying, way too many shows, hosting the local music show, publishing a zine, starting a proto-website... it's really never stopped.  Zine-ing grew to the more acceptable adult past-time of an indie newspaper column.  This continues today into the humble blog you're reading.

But it's always been about punk rock.  And while that loaded phrase has as many definitions as there are people you ask, to me it's always been simply about any music that's different and breaks norms.  About artists that pursue their passion for the simple sake of it.  But beyond music, about voices that speak loudly and challenge the status quo.  Indie-alternative-underground-college-punk-whatever music has always been to me at its core, about free speech.  And I've always been passionate about experiencing and promoting that.

Okay, to the point.  In my mind, the purest manifestation of punk rock is (and perhaps always has been) the house show. It is the epitomy of that most punk of ethics, DIY.  "You don't need to tell me how to do this.  I'M gonna do it!"  Sometimes, even the most podunk, backwoods of towns can have the best ones.  Desperation breeds creativity.  At once angry and ebullient, lashing out and life-affirming, house shows give voice to the silenced, a place to the dispossessed.  A good house venue is more a home than any club could ever be.  Well, maybe a little because they usually ARE  homes :).
And there have been few house venues as welcoming as the Kosher Hut.  More home-y and familial than the buzz-iest club, the Hut's been a place where all are welcome... even this old dog.  But it's still punk as fuck.  Really, to me, those two things have always been one and the same.

The Hut's raised tons of dough for many worthy causes, all while providing one helluva great time.  Whatever Brains blew the lid off that joint.  Zack Mexico got naked.  9192 brought smooth raps.  Synths jammed, radicals screamed, horses played...  all in all, it's been weird and wild fun.  
And this Saturday, Kosher Hut's calling it quits with a blowout "show".. I say "show" because it's much more than that.  Kosher Fest features a line-up of  a dozen or more for day parties, on two stages.  Then at night, they'll have a Hopscotch-worthy line-up:  Lonnie Walker, ET Anderson, Acid Chaperone, Jenny Besetzt, Ghostt Bllonde, Zensofly, and Oak City Slums!  Killer.  But the day party line-up is no slouch either:
 
The whole shindig starts early (1:00pm) and goes on into the night.  I hear tell there'll be a BBQ food truck there, and there's even talk of a slip'n'slide!  But there'll be non-stop great music, all punk in spirit, though greatly varied in genre & style.  And that's punk, too. So come say g'bye to one of the great house venues, and have a good ol' time.  As for where... as they say, ask a punk. 

This is so big, they should just go all the way & sell out.  Maybe my great MS Paint skills could snag some o' that corporate $$! :)

Monday, September 21, 2015

Hopscotch Music Festival Day Three - Saturday Day Parties (Raleigh, NC, 9/12/15)

To start off Saturday at Hopscotch, Grandma Sparrow provided a whimsical introduction for Flock of Dimes over at the Pour House.  Click this LINK to see a video of that.

Grandma Sparrow...
After that bit of silliness, Jenn Wasner's beautiful voice was a perfect way to steel oneself for what would be a long, last day and night of Hopscotch.

Flock of Dimes...
While awaiting the "Indie" (east) stage of the outdoor Makers Market day party to kick into gear (and after just missing my last chance to ever see Astro Cowboy, the Wilmington indie-punk band that is sadly no more), I decided to drift over to the "Americana" (west) stage.  Caught a few songs by the rootsy, southern-rocky Michael Rault.  This guy came all the way from Alberta, Canada!  

The variety Hopscotch brings by just stepping a few yards over to another stage is amazing.  It's really the single best thing about this festival.  

Michael Rault on the Makers Market west stage...
Anonymous Hopscotch attendee shops for artisanal dog treats at the Makers Market...
I had hoped to catch another beautiful voice , that of Skylar Gudasz, and maybe Dead Tongues, at the west(ern?) stage later, but I hadn't seen one of my favorites, Jenny Besetzt, in quite a while.  Great great songs, and one of the best drummers of any local combo (they're from Greensboro); also sporting a new keyboard player since last time I saw them.  See the video below for their performance of Always from their debut album, Only.

Jenny Besetzt on the Makers Market east stage...
Some monks walking down Blount St. (no doubt heading home after a hardcore show)...
After the outdoor fun, I had to catch some of what is always among the best day parties at Hopscotch:  the Phuzz Sounds Day Party at the Hive.  Estrangers were another favorite Triad band that I hadn't seen in way too long.  Fun show, and their new(ish) bass player is all over the place.

Estrangers...
Then I was SO glad I stuck around for Naked Gods.  I'd only seen this Boone, NC, band once before, and a long time ago.  I liked'em that time.  But this was simply an AMAZING show.  Singer Seth Sullivan casts at once an intimidating and lovable stage presence, a big bear that's as likely to hug you as he is to scream in your face or climb all over you.  He migrated in and out of the crowd as he sang songs that are a much more intense experience live than the jangly psychedelia one hears on record.  

See the video at the bottom of this post... second best show of Hopscotch IMHO.

Naked Gods...
After a brief chill, I headed north again for the close of the day party at Person Street Bar.  There was a full line-up of great bands here earlier, but I had seen See Gulls and Ghostt Bllonde in the previous 2 days (and many times before), and Wild Fur, well, was just too early.  I did, however, catch Schooner.  So my day parties this year ended the way they started, although I only managed to hear Reid Johnson's voice echo through the parking deck as I approached Slim's on Thursday afternoon.  

Notably, this set was Patrick O'Neill's last of 6 (count'em, SIX) sets at Hopscotch this year... with The Wyrms, Schooner (2X), Some Army, Jphono1, who am I forgettin'?  Dwight Yoakum?  X?  Was he backing up Pusha T?  Anyway, O'Neill's playing second guitar to frontman Johnson in the photos below, and he's still standing! (though from what I understand, Reid was havin' a little trouble after this set due to dehydration... glad yer feelin' better dude!).  

Hey, at least summer's over... I think the last Hopscotch day party has become the official National Weather Service indicator of the start of fall.

Schooner...
Here's dem videos.

Jenny Besetzt performing Always on the outdoor stage...

Naked Gods performing Picture in a Picture (the sound quality's not quite as bad if you plug into some decent speakers, but it still ain't great)...

It was a fun last day of day parties, with an even better last night of club shows to come.  Coming up, X, Zack Mexico, and much more...

Tuesday, February 5, 2013

WKNC Double Barrel Benefit X (Raleigh, NC, 2/1/13-2/2/13)

NC State's WKNC held their 10th Double Barrel Benefit (DBBX) last weekend in downtown Raleigh.  The annual fundraiser has featured some of the best & brightest in local talent over the years, including Polvo, Bowerbirds, Annuals, the Mountain Goats, and Future Islands.  This year was no different.

I only attended the first night and the day party and market on Saturday, but that was enough to see some of the best that NC has to offer.  Friday night began at the Pour House with the frenetic & fun pop of Raleigh's Lollipops.  Iggy seems to record so fast I'm already a couple of albums behind on his (maybe?) year-old band.
Greensboro's Jenny Besetzt followed with their dream-like guitar buzz.  Oh, but they're frenetic enough in their own right... I think I saw at least 2 drumsticks fly across the stage.  But I also really liked the slow, celtic-tinged number singer John Wollaber broke into in the middle of the set somewhere.  Hadn't heard that one before.
Lilac Shadows followed with what was their first show in several months.  They've returned with a more straight-ahead rock sound.  I still hear the same thread of shoegaze and early Manchester in there, but it sounds more "in your face" than before.
The night closed with the definitely more straight-ahead, rootsy rock of JKutchma and the Five Fifths. The crowd was ready for J, enraptured as he preached about playing his music as a struggling small-time artist, just for the love of it, and then hearing it played on the radio... on WKNC.  Now the crowd could sing along to his music.  And they did.  That's what DBB (and WKNC) is all about.
The next day, I stopped by the DBBX Day Party and Market, held at both the Pour House and the neighboring Tir Na Nog.  I really just wanted to take my kids to a show, and to see Organos again (whom I had seen but once, at last years DBB).  But first, I caught Winston-Salem's great Estrangers, who belted out their brand of 60s/California-flavored fuzzpop.  It was a pretty good crowd for an early afternoon show, and the kids loved it! (as did everyone else)
Meanwhile, I want to mention one of the booths I checked out.  Silber Mini-Comics are tiny matchbook-sized comics sold by Silber Records, based here in Raleigh.  I bought a sci-fi/horror series called Worms for my kid.  But we both liked it.  Pleasantly weird.  Weirdly disturbing.  Disturbingly pleasant.
After a break, I went over to Pour House to catch Organos.  They were as good as I remember.  I love that this band is so vocal and rhythm-driven.  Side Girl, from their CD Concha, sounded great live, despite that it's just voices and clapping.
Organos have a way with a minimal, sometimes dark flavor of pop.Here's a video of Organos doing Lazy Lessons.

I'm sure I missed great sets by the other Day Party bands, as well as Saturday night shows by Oulipo, Some Army, Wesley Wolfe, and Spider Bags.  But still, it was a great weekend of music.  Many thanks to WKNC for bringing us this music every day, and for an annual event that, though a fundraiser, consistently stands on its own as a loaded bill that's well worth your bucks.

More photos to be posted soon on the HSIITBAAA Facebook page...